‘Women Are not Born to Compose’: Female Musical Works from 1750 to 1950
International Conference
Lucca, 27-29 November 2020
Keynote Speakers
Mariateresa Storino (Conservatorio di Musica ‘G. Rossini’, Pesaro)
Susan Wollenberg (Oxford University)
The Many Faces of Camille Saint-Saëns
edited by Michael Stegemann, Turnhout, Brepols, 2018 (Speculum Musicae, 31), pp. XIV+ 406, ISBN 978-2-503-58070-8.
Contents
Published with the Assistance of
PALAZZETTO BRU ZANE - Centre de...
The String Quartet: From the Private to the Public Sphere
edited by Christian Speck, Turnhout, Brepols, 2016 (Speculum Musicae, 27), pp. XXX+388, ISBN 978-2-503-56800-3.
Contents
The String Quartet: From the Private to the Public Sphere approaches...
Beverly Jerold, The Complexities of Early Instrumentation: Winds and Brass
Turnhout, Brepols, 2015 (Musical Treatises, 3), pp. xiv+160, ISBN 978-2-503-56479-1.
Contents
When a professional orchestra today plays an eighteenth-century work with parts for wind and brass...
The «Compendium Musicæ» of René Descartes: Early English Responses
edited by Benjamin Wardhaugh, Turnhout, Brepols, 2013 (Musical Treatises, 2), pp. xlii+252, ISBN: 978-2-503-54898-2.
Contents
René Descartes’s Compendium musicæ was one of the most widely-read texts...