About Us Board Contact Us

31.2 C
Lucca
sabato, Luglio 27, 2024

Ad Parnassum Studies

The series of Studies of the twice-yearly journal Ad Parnassum. A Journal of 18th and 19th-Century Instrumental Music is devoted to individual composers who have made a significant impact in the field of instrumental music.
In this way they remain securely within the journal’s area of interest, though without actually imposing strict limits on the specific themes treated, given that the entire output of the composers concerned may be taken into account, not just the instrumental music.

European Fin-de-siècle and Polish Modernism. The Music of Mieczysław Karłowicz

edited by Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2010 (Ad Parnassum Studies, 4), ISBN: 978-88-8109-467-7. Contents Essays by Tomasz Baranowski, Andrzej Chwałba, Stephen Downes, Peter...

Beyond the Stage

Musical Theatre and Performing Arts between ‘fin de siècle’ and the ‘années folles’. edited by Giuseppe Montemagno and Michela Niccolai, Bologna, Ut Orpheus Edizioni, 2017 (Ad...

Ad Parnassum Journal Vol. 21 – No. 41 – October 2023

Contents News, Bios, Books Received and Abstracts

Ad Parnassum Journal – Vol. 21 – No. 40- April 2023

ARTICLES Beverly Jerold Equal Temperament and Johann Sebastian Bach’s Music Fabrizio Ammetto, Francisco Javier Lupiáñez Ruiz, Luis Miguel Pinzón Acosta The Thematic Catalogue of the Musical Works of...

Ad Parnassum Journal – Vol. 20 – No. 39- October 2022

ARTICLES Fabrizio Ammetto, Francisco Javier Lupiáñez Ruiz, Luis Miguel Pinzón Acosta The Thematic Catalogue of the Musical Works of Johann Georg Pisendel (PW): I. The Chamber...

Ad Parnassum Journal – Vol. 20 – No. 38- April 2022

Ad Parnassum Vol. 20 - No. 38 - April 2022 pp. 112 ARTICLES Michael Talbot Two Unsuspected New Violin Sonatas by Tomaso Albinoni in the Estensische Musikalien Nieves Pascual León La...

Ad Parnassum Journal – Vol. 19 – No. 37- October 2021

Ad Parnassum Journal - Vol. 19 - No. 37 - October 2021, pp. 128 ARTICLES Barry Cooper The Origins of the Opening Motif in Beethoven’s Fifth Symphony Imre...