Ad Parnassum. A Journal on Eighteenth- and Nineteenth-Century Instrumental Music is a twice-yearly Peer-Reviewed musicological Journal, one of the most prestigious international scholarly achievement and a reference point in the field of the musicological research. Ad Parnassum deals exclusively with instrumental music of the 18th and 19th centuries. The journal, which appears each year in April and October, accepts contributions in Italian, English, French, Spanish and German. Each issue includes articles of major scholarly interest (each article is provided with an English summary), a debate of musicological interest, reviews of books relevant to the journal’s field of interest, news and information about the contributors and their affiliation.
Ad Parnassum is also complemented by monographs, the Ad Parnassum Studies.
Editor-in-Chief / Legal Responsibility
- Roberto De Caro
Editors
- Roberto Illiano
- Fulvia Morabito
- Michela Niccolai
- Claudio Nuzzo
- Luca Lévi Sala
- Massimiliano Sala
Advisory Board
- Eva Badura-Skoda, Vienna
- Clive Brown, Leeds
- Michele Calella, Vienna
- Rémy Campos, Paris/Geneva
- Federico Celestini, Innsbruck
- Bathia Churgin, Ramat Gan
- Andrea Coen, Rome
- Barry Cooper, Manchester
- Dorothy de Val, Toronto
- William Drabkin, Southampton
- Sergio Durante, Padua
- Dinko Fabris, Bari
- Floyd Grave, New Brunswick
- Jean Gribenski, Poitiers
- Ralph Locke, Rochester
- Simon McVeigh, London
- Leon Plantinga, New Haven
- Irena Poniatowska, Warsaw
- Rudolf Rasch, Utrecht
- Giancarlo Rostirolla, Rome
- David Rowland, Milton Keynes
- Manfred Hermann Schmid, Tübingen
- László Somfai, Budapest
- Christian Speck, Koblenz
- Renata Suchowiejko, Krakow
- Larry Todd, Durham
Consultant Editors
- Antonio Ezquerro Esteban, Spain
- Giacomo Fornari, Italy
- Andrea Lindmayr-Brandl, Austria
- Peter Niedermüller, Germany
- Adena Portowitz, Israel
- Barbara Przybyszewska-Jarminska, Poland
- Marina Ritzarev, Israel
- Angela Romagnoli, Italy
- Claudia Vincis, Italy
- Pietro Zappalà, Italy