Ad Parnassum Journal – Vol. 19 – No. 37- October 2021

822

Ad Parnassum Journal – Vol. 19 – No. 37 – October 2021, pp. 128

ARTICLES

Barry Cooper
The Origins of the Opening Motif in Beethoven’s Fifth Symphony

Imre Kovács
Bestowing the Beethovenian Musical Heritage to Liszt: The Weihekuss Reconsidered

Stefano Mengozzi
Fragments Made Whole: A Schillerian Reading of Beethoven’s Pathétique Sonata

ARTICLE REVIEWS

James L. Zychowicz
Henry-Louis de La Grange, Gustav Mahler: The Arduous Road to Vienna (1860-1897)

Roberto Scoccimarro
Symphonism in Nineteenth-Century Europe

John D. Wilson
Antoine Reicha and the Making of the Nineteenth-Century Composer

Shay Loya
Nineteenth-Century Programme Music: Creation, Negotiations, Reception

REVIEWS

Simone Ciolfi
Music Publishing and Composers (1750-1850)

Benedetta Saglietti
Lewis Lockwood, Beethoven’s Lives: The Biographical Tradition

María Encina Cortizo
Music and the Figurative Arts in the Nineteenth Century

Federico Gon
Music and the Second Industrial Revolution

Carlo Serra
Benedetta Saglietti, La Quinta sinfonia di Beethoven recensita da E. T. A. Hoffmann. Nel regno dell’infinito

NEWS

Contributors

Books Received

Abstracts

Index of Names

Previous articleLa Musique religieuse en France au XIXe siècle : Le sentiment religieux entre profane et sacré (1830-1914)
Next articleLocatelli, Pietro Antonio. Sonata in G Minor ‘Leufsta’ for Violin and Continuo